Sunday, August 18, 2013

Almost There...

My last day at Green River (Monday May 16th) the weather took a turn for the worse. I didn't feel bad at all about spending the entire day at the library! There were a few scattered showers along with strong winds and much cooler temperatures. I was quite happy being inside and got a lot accomplished.



When I left Green River the next morning (May 17th) it was cool and windy. There had been some heavy rain during the night. The drive on U.S. 6 over the mountains wasn't too bad. A few snow flurries but mostly drizzling rain.



However, once over the mountains, the Utah Valley was covered with gray clouds that were hugging the ground. And it was steadily raining. U.S. 6 linked up with I-15 near Provo and I turned north toward Salt Lake City. I didn't get far, perhaps 15-20 miles, which was not quite half way there. The temperature had dropped to 39 degrees. Driving conditions were terrible. Along with the rain and fog/clouds there was heavy road construction and the spray coming up from trucks and other vehicles reduced the visibility to nearly nothing.



In the rear view mirror I could see the clouds breaking up. There was some blue sky showing and even a little sunshine. I turned around and headed back to Provo and stayed at Utah Lake State Park. It actually warmed up to 45 degrees, which doesn't seem like much, but it does make a huge difference.



We had scattered showers the rest of the afternoon. When it wasn't pouring it was lightly misting. The gray clouds would move in for a while and then, briefly, the clouds would break up and the sun would make an appearance. Off to the east were the snow-capped mountains and once, for about 15 minutes, they could be seen in all their glory. It was one of those times that you just kind of shake your head in wonderment at what Mother Nature gives you in-between all the cruddy stuff! And then you grab your camera and shoot like crazy... Although, I was a little frustrated by the tall weeds that were growing along the little stream running on my side of the fence, it was still a beautiful sight.





The Mountains hovering over Provo during a brief lull in the rain on Monday, May 16th.



Then the clouds moved back in and blocked out the sun once again. It rained most of the night. The following morning was cloudy, foggy, dreary, and raining but I headed north once again. There didn't seem to be as much traffic as there was the day before and visibility was much better. It was still a little nerve-wracking with all of the construction going on and I was a happy camper when I arrived at the RV Park/campground that would be my home for the next two weeks.



Carol and her husband (and the Yorkies) arrived shortly after I did and with frazzled nerves too – I can't imagine having to pull a big rig through that construction zone and all that traffic and in lousy weather conditions. We managed to hook up and made plans for our first ever visit to the Family History Library. We were eager to get to The Library, but we both had “chores” that needed done first - Thursday was a catch-up day.



We made it to The Library on Friday (May 20th) and were a bit overwhelmed, to say the least! I'll be in Salt Lake City for about two weeks before I need to head back to Indiana. Plenty of time for research. Yeah, right! Is there ever enough time for research?



Saturday, August 17, 2013

Claret Cup Cactus

I took a series of photos of my claret cup cactus as it is the only thing in my dirty, windblown, dreary yard that is bright and cheerful.















































































Sunday, August 11, 2013

Access, Openings, and the U.S. Army

Opportunity knocks with the park virtually closed. Over the past three weeks, I attended an emergency medical course with the U.S. Army at Ft. Lewis. Beyond the obvious benefit of training, it was a privilege to spend time with our soldiers. The training also explains why there have been few updates to the blog...

I continue to get questions about the best way to access the mountain (i.e. Paradise). For all practical purposes, getting to Paradise is almost impossible. Why? Because there is NO public access allowed along the road corridor above Longmire. That means if you have a trip to Paradise planned for later this winter or early spring, scale back your access expectations and consider other locations.

Access to White River isn't that bad, if you have a snow machine. One party rode into the campground, parked, and then snowshoed up to the Inter Glacier. To the right, a snowboarder breaks trail through Glacier Basin (image by Don Boutry). Perhaps some climbers will follow suit? And while we're discussing access to White River and Sunrise... the current thought is that the projected road openings will go as planned next spring. This is welcome news considering the delayed openings on HWY 123; it was totally severed and may not be fully repaired and re-opened until next fall!

Last week, NPS rangers discovered more facility damage to a few of the fire lookouts. Here is Fremont Lookout from the air. Note that the roof is missing. Similar damage was found at Gobblers Knob (the roof blew off and a wall collasped) but Tolmie and Shriner (the other lookouts in the park) survived OK.

The current talk points to an April 1st road re-opening to Longmire. That would make access to the Westside Road easier and more reliable. As for Paradise, they are cautiously predicting May 1st...

As for repairs, they just paved the road at Sunshine Point. Meanwhile, the road crew is installing more culverts at Kautz Creek. Another engineering obstacle remains at milepost 5, where the uphill lane is slumping towards the river. It may not look like much in this photo, but the embankment below is severely eroded by the Nisqually River.


You may have noticed that I am now managing the photos on Flickr and have finally started posting images in the flood folder. But using blogger for this purpose isn't that easy, so we'll see how much I can do with it...

Friendly Witches and Scenic Graveyards

Was I a good witch or a bad witch for Halloween? Only Eustacia knows, and she is not talking. I rolled through the night with reflective sidewalls and plenty of lights on my bicycle, and I think only good witches do that. Bad ones tend to hide under the cover of darkness.

On this ghoulish night, I present you also with this photo of me and Marianne cycling through Provincetown Cemetery at dusk. I spent part of my childhood in a small New England town, where we lived down the street from a very old graveyard. Its presence seemed entirely normal; my friends and I would even take walks there after dark. Only later did I discover that graveyards freaked other people out. That and old Victorian houses with floorboards that creak even when no one is walking on them. Go figure!

Thursday, August 8, 2013

Raven Tracks in Snow



















































From today's walk in the woods. I love winter for many reasons, and one of those reasons is the snow makes it easier for us to see what the animals have been up to. Today I found these raven tracks... they were in the middle of an opening in the woods, beginning with the two tracks in the lower right. Apparently this raven landed, then hopped on both feet a few times before beginning to walk. It sure was a fun find :-)

Wednesday, August 7, 2013

The Estate of John Rupert :: The First “Final Account”

The will of John Rupart dated October 17, 1828 was admitted to probate in Columbiana County, Ohio in August of 1831. On August 5th 1832 a “final account” was prepared and submitted to the Court of Common Pleas.





First page of Final Account dated August 5th 1832.Estate of John Rupart. Packet 1439. Family History Library microfilm 2032592.

The final account of Conrad Yerian and David Erhart

as Executors of the last will and testament of

John Rupart late of the county of Columbiana deceased.



The appraisment was on the 3d September 1831

when goods were appraised to the amount of - - - - - - - - $106.51



The sale of the personal estate was on the 24th

September when goods were sold to amount of - - - - - - $



These accountants charge themselves with

the amount of the sale bill - - - - - - - - - - - - - - - - - - - $144.21



These accountants claim a credit for the following

sums paid on account of the estate

1831 Augt 20 - - No 1 - - Paid Peter Spangler - - - Auc - - - $5.00

1831 Sept 3 - - - No 2 - - Paid Joseph Morris - - - taxes - - - 1.04

1831 Sept 23 - - No 3 - - Paid David Arter - - - - - Auc - - - - 0.75

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - $6.79



Costs of Administration

1831 Sptr 2 - - No 4 - - Paid C. D. Coffin Clk - - - - - - - - - - - 5.25

1831 Sptr 30 - No 5 - - Paid Michael Arter qualifying [?] Appr - 0.37 ½

1832 Jany 18 – No 6 - - Paid Philip Andre Appr - - - - - - - - - - 0.50

1832 Jany 18 – No 7 - - Paid Peter Crossinger Appr - - - - - - - 0.50

- - - - - - - - - - - - - - - - - - - - - - - - - Amount Carried over $7.62 ½





Second page of Final Account dated August 5th 1832.Estate of John Rupart. Packet 1439. Family History Library microfilm 2032592.

- - - - - - - - - - - - - - - - - - - - - - - - - - Amount brought over $7.62 ½

1832 Jany 18 - - No 8 - - - Paid Joshua Copeland crying sale - - - 2.00

1832 Jany 18 - - No 9 - - - Paid David Wiley Appr - - - - - - - - - - 0.50

1832 Jany 29 - - No 10 - - Paid C. D. Coffin Clk - - - - - - - - - - 1.00

1832 May 19 - - No 11 - - Paid C. D. Coffin Clk - - - - - - - - - - - 0.40

1832 Sptr 24 - - No 12 - - Paid William Morgan Clerking - - - - - - 0.75

1832 Augt 22 - - No 13 - - Paid Fisker A. Blackman Atty Fee - - - 5.00

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - $17.30 ½



To the Honorable Court of Common Pleas for the county of Columbiana.

The undersigned Master Commissioner of the Court to whom was refered

the account of the Executors of the last will and testament of John

Rupart late of said county, deceased Reports that in pursuance of the

Rule of the Court he has examined said account and finds that the amount

received from the sale of personal estate is - - - - - - - - - - - $144.21

It being the whole amount charged against said accountants



I do find by proper vouchers exhibited that said accountants have paid

debts owing by said estate to the amount of - - - - - - - - - - - - $6.79



Costs of administration inclusive of the sum to be allowed by Court to

Executors for their services is - - - - - - - - - - - - - - - - - - - - $17.30 ½

- - - - - - - - - - - - - - - - - - - - - Total Credits - - - - - - - - - - 24.09 ½





Third page of Final Account dated August 5th 1832.Estate of John Rupart. Packet 1439. Family History Library microfilm 2032592.

Leaving in the hands of said executors for distribution - - - - - $120.11 ½



Out of which the Executors compensation for their services and Master fee

to be allowed by Court to be deducted.



All which is respectfully submitted

August 25th 1832 Fisher A. Blackman, Master Comm



Atty fee - - - - - - - - - - - - $2.00

Executor - - - - - - - - - - - - [?] .64



Tuesday, August 6, 2013

Paint It Good: On Bicycles Becoming Art

[image via The Good Bike Project]

Once upon a time I was enrolled in art school and we had this visiting professor - a new media guy - whose sulky catchphrase was "painting always wins." By this he meant that painting, being the traditional form of artistic expression, enjoys an unfair advantage over less conventional art forms in that it is more readily accepted as "art" by the general public - even if it is not. Those students who were not painters nodded sagely every time he said this, whispering "patriarchal" and "privileged" while throwing scornful sideways glances at their painterly peers. Whereas those students who were painters shrugged dismissively: "Well of course he's going to say that; he's a new media guy who hates painters." Naturally, both groups were right, but this is the sort of debate that is taken very seriously in art schools. I hadn't thought about Professor Sulky New Media Guy in some time - until I came across a link to this article on TreeHugger.



My understanding of the story is like this: A woman in Toronto decided to decorate a bicycle that was abandoned, locked up to a bike rack. She painted it neon orange and placed potted flowers in the basket. The city of Toronto then ticketed the bicycle, indicating that it was tagged for removal as a result of being abandoned and now clearly unridable. The woman and her friends decided to protest this and formed a collective, seeking out other abandoned bicycles and painting them neon colours as well. They received publicity. Eventually, the city stopped ticketing the bikes and reluctantly agreed to treat the project as public art. It is called The Good Bike Project and it has been applauded by cycling and environmental blogs for "defying" the city of Toronto.



Call me a disloyal artist if you will. Tell me I lack appreciation for symbolism. Accuse me of being no fun. Fine. But I look at these pictures of spraypainted bikes locked up to bike racks and I think: "Someone could have used that bicycle. Someone could have used that bike rack." I've read the article a couple of times and have browsed the project's website, but I don't get what exactly it is protesting and what exactly it is trying to say. It seems to me that in removing blatantly abandoned bicycles, the city of Toronto was actually doing cyclists a service by freeing up bike racks and other potential lock-up spots. Of course it would be great if those abandoned bikes could be rescued, then refurbished and donated to those who need them. But to turn useful objects into decorations, while also taking away parking spaces from cyclists? I don't know. Spraypainting a bicycle so as to render it unridable is not recycling, and perhaps what irks me is that this word is being used to describe the Good Bike Project. Refurbishing a bicycle is recycling, and I would love to see that become the de facto fate of abandoned bikes in cities throughout the world.



Whether spraypainting abandoned bicycles is art is not my call. And perhaps it's ironic that in the back of my mind echoes the sulky professor's complaint that painting always wins. "Paint it and they will applaud," he'd say - to warn, I now realise, rather than to mock.