Coral Colored Thingys

Updated June 14th at 7:30 pm: My readers have informed me that these are Poppies! Thank you all.









Temple Square Gardens – Tuesday, June 7th

Ueli Steck the designer?

I found this article while researching info for one of my own and thought it worth republishing. Enjoy!

"The Trust: Ueli Steck and SCARPA discuss their symbiotic relationship of innovation and design

Mar. 29th

By SCARPA

Literally coming off the heels of their latest collaboration, the new Rebel GTX Carbon alpine boot, speed climbing supercharger Ueli Steck and SCARPA answer a few questions about their decade-long relationship of designing, building and testing the best mountain boots, and how it pertains to the changing state-of-the-art in alpine climbing.

[For SCARPA:] Being a really good climber doesn’t necessarily make someone a great product designer. What makes Ueli stand out as a contributor to SCARPA product design? It is essentially a matter of feeling, and then a lot of experience in mountaineering and climbing. When you feel and use the product as Ueli does, you can also easily imagine it. And what our R&D needs is to make feelings and ideas concrete, and create a product that can be part of the action itself. Ueli has this kind of sensitivity and we firmly wanted him to share it with SCARPA.

[For Ueli:] You’ve actually been working with SCARPA for a while. How long? How did that relationship come about? It started in about 2001. It was actually Romolo Nottaris who supported me first. It was not just a business decision; it was also a personal feeling, which was always very important from the beginning.

[For SCARPA:] What does SCARPA expect from Ueli as a design consultant? How do you use his feedback? His feedback is now extremely precious for us. First, from a strictly technical point of view, we try to create a product which can satisfy the needs of one of the greatest mountaineers ever, and, we also try to understand deeply its sense of speed and lightness.
This last point is one of our main goals: if Ueli and his ideas become a sort of icon in the mountaineering world, this is what we would like to have happen to our products as well. Quality and performance of our products and style are great strengths of our brand, and every day we aim to reach the highest levels.

[For Ueli:] What initially drew you into collaborating with SCARPA? What is the first product you were involved with? The first prototypes I got were the Phantom Light and the Phantom 8000. Erhard Lorethan and I got the shoes just when we went to the north face of Jannu for the first time in 2002. SCARPA managed to build them after the first Phantom Light and Phantom 8000 for the market, which was based on these prototypes. It is pretty nice to see that many other brands are making these types of shoes now. The first season SCARPA came out with them, everybody told us they’re never going to sell, that it’s just something for a very special interest. And now lots of people sell them. It is always hard to bring changes into the market.

[For SCARPA:] Ueli was quite involved in developing the midsole/sole platform on the new Phantom collection. How did his involvement affect and direct that project? Sensitivity, insulation and lightness are the main goals Ueli wants to work on. Due to the fact that these parameters have very different characteristics, it is often difficult to combine them together. In such a combination process, SCARPA can show its know-how and its ability in developing a product. This positive cooperation enables us to create a product that can provide a real innovation and benefit for the user.

[For Ueli:] You’ve been really involved with the new midsole/sole design (and its success) on boots like the new Phantom collection. What was your involvement around that project? What did you want to see SCARPA achieve? What do you think of the results? I was quite involved in the Phantom Ultra and Phantom Guide. The Ultra came definitely only on my demand. Everybody at SCARPA was afraid of the light sole. But that’s what I was looking for. The Phantom Ultra and the Phantom 6000 are very good boots. I also needed some time to convince SCARPA to use the lighter sole on the Phantom 6000 and to use a system to have an automatic crampon. It’s sometimes difficult to make someone understand what exactly we need for climbing. To make the best shoes you can’t always make decisions based on the commercial and production side of the business. You have to find the production solution for the shoe, and you have to find the marketing solution to make the market understand the product. Sometimes it is really hard to bring new ideas. People always think what they used for the last ten years was great. They first need to feel the difference, and for this they have to wear a new product.

[For SCARPA:] What about Ueli’s contribution is unique, and how does that keep SCARPA at the forefront of alpine and climbing product design? We are currently assisting the growth of a new great generation of climbers whose approach to the discipline has radically changed from the past. They do not only climb hard, but they are also changing the way in which this sport is conceived.
Ueli isn’t just a fast climber. He applies his style of speed- and ultra-marathon level endurance to mountaineering that is as revolutionary as Reinhold Messner’s introduction of alpine-style climbing to the Himalayas in the 1970s. Steck is, in effect, creating a new sport, shattering speed records by moving faster over snow, rock and ice than most climbers can imagine.

For SCARPA to be a part of this new “innovative generation”, and have the opportunity to be linked to Ueli with our products, gives us a unique possibility to share our passion for the innovation and for this sport. Eventually, his time record for any given climb may be beaten. The contribution of Ueli gives our company once again the possibility to establish new milestones in history.

[For Ueli:] Where do you get your ideas for product design? Is it something you consider after a trip with regard to things that didn’t work as well as they could, or do ideas come to during actual climbs? Or both?
My vision is actually to combine trail running shoes with mountaineering boots. That’s all you need. Having a warm trail running shoe to climb Everest would be so great. For a technical face you need a climbing shoe that is warm enough. It’s simple. I just try to look at other sports to improve mountaineering boots. I think we can learn a lot. If you look at cross-country ski boots, they are very light and stiff enough to use crampons.

[For SCARPA:] What are the biggest rewards and hurdles with this kind of partnership? The chance to live every day with intense passion of our work, to interpret our mission as a footwear company in a very important, contemporary way, and to imagine and develop products for the climbers of the future. Ueli today represents the future of mountaineering, and the most ethically respectful climber ever.
We ask ourselves during the R&D meeting section “what does it mean for a footwear company to be focused on innovation?” Traditionally, in the climbing world, records were fixed. When a team or soloist bagged a first ascent, that was that. The route could be climbed again, climbed faster, or in a different style, and off course, with very innovative products. But the first ascent stayed on the books. Time-based records, like those in running, only hold until someone faster comes along.


SCARPA has been trying to push the limits of our products for 74 years, and set new standards with the cooperation some of the most important climbers in the world. I’m sure our company, with Ueli Steck at the moment, reaches the highest levels.

[For Ueli:] How does helping design products affect your own climbing experiences?
A lot of ideas come from the fact I did these speed ascents. I needed something light and very precise to climb. And I really don’t like to suffer. Shoes make your life much easier.

I don’t like heavy boots. Think about your normal life. If you wear comfortable shoes at your home, why can’t we build shoes for mountaineering that are also comfortable enough for watching TV? This is what we have to think about. There is still a lot of work, and I hope I get the chance to work on that. I reached a point in my climbing where I cannot improve a lot more; I just can climb another project. I won’t have these mind-breaking changes anymore. Speed climbing is normal now. When I started, everybody thought I was on drugs to be that fast. I am looking for new challenges in my life. Building mind-breaking shoes is very interesting."



You can find the article here in the original form and more:



http://blog.scarpa.com/ueli-steck-and-scarpa-interview/

Hot Time to Climb

For the first time this season the freezing level is rising above 14,500 feet. This means earlier starts for summit attempts. Get up and out of high camp so you're back before the mid-afternoon heat. The high pressure should be around all weekend and into the early part of next week. Groups of excited climbers were out enjoying their first tan of the season Saturday morning. Here is a photo of the sun rising over the Cowlitz. Notice the sun cups starting to form in the bottom of the photo. If you look closely you can see Camp Muir to the left of the climber's head lamp (Photo by Brian Scheele). Come take advantage of this great early summer weather.

Anti-Theft Cozy

Spotted around Harvard Square, this road bike is sporting a green knitted U-lock cover!

Knitting a "cozy" for your U-Lock is a fabulous and pretty hilarious idea. But if I think about it, there might be more to it. The hand-knitted cover humanizes the owner of the bicycle. It calls attention to the deeply personal anxieties over the safety of our cherished belongings. If cruel acts are possible because the perpetrator depersonalises the victim, then perhaps this piece of knitted handywork will disrupt that process by evoking empathy.

Edited to add: After searching for "knitted U-Lock cover" on google, I've discovered this post from Bikes and the City. Bi-coastal trend?

Funny Bunny Sunday

I dreamed that I took my favorite photo ever, and decided that the definitive title for it would be Funny Bunny Sunday. My husband pointed out (in the dream) that the picture was of our cat Ginger, and not a rabbit. "It'll still work," I said.

I sat with camera in hand for at least an hour, obsessed with recreating my dream. I waited for Ginger to do anything remotely funny-bunnyish. But mostly he was just interested in sleeping.


"You are not putting that on the internet."*


Kind of bunny.


Kind of funny.

Ginger loves to crawl up my husband's chest, arch his back high in the air, then settle very, very close to the face. I tease him. "That cat looooves you."

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*I was able to change his mind.

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P.S. I forgot to add a link to the Circus of the Spineless earlier. Sorry, Doug!

On Mt. Taylor

We saw lots of pretty sights while we were driving up Mt. Taylor. The mountain is the remains of a very old volcano about2 million years old. It has been considered a very sacred place by the Native Americans that are in this area. Pueblo Indians from Acoma Pueblo, Laguna Pueblo, Zuni and the Navajo Indians. Some call the mountain The Sacred Mountain or The Turquoise Mountain, but it was named Taylor afterGeneral Zachery Taylor, famous in the Mexican War, and then became one of our presidents. It can be seen for over 100 miles around it as it seems to sit out in the middle of a large section of flat New Mexico landscape. It is just over 11,000 feet high at the highest peak. We did not get there this time, as the roads were sorough and washed out and because we neededto be back in time to feed the critters their evening meals.

This day we saw two deer, lots of Indian Paintbrush flowers, and aspens just leafing out.

Saturday Night Genealogy Fun :: Eli Yarian

Randy Seaver's challenge for this Saturday night is to pick an ancestor or relative with a military record and a gravestone then write about them.



I've chosen Eli Yarian, my 2nd great-grandfather, primarily because I haven't written about him previously!



Eli and his brother Benjamin enlisted in Battery D, 1st Regiment Ohio Volunteer Light Artillery on January 28, 1862 and were mustered out on July 15, 1865. Their brother David enlisted with Battery A, 1st Regiment Ohio Volunteer Light Artillery on August 11, 1862 and was discharged with the regiment in 1865.



Another brother, Jonathan, served with Company A of the 35th Regiment Indiana Infantry in which he enlisted in September 1864 while living in Noble County, Indiana. He and his wife, Jane Hook, had moved there in the summer of 1860. Jonathan joined General Thomas' command in Tennessee, and was with his regiment during the concluding campaign in the western part of the Mississippi Valley. He fought at Spring Hill, Franklin and Nashville. On December 16, 1864, during the second days battle at Nashville, Jonathan was severely wounded and taken to Cumberland Hospital, where his left leg was amputated. He was honorably discharged on May 26, 1865 and returned home to Noble County, eventually moving to Nappanee, Elkhart County, Indiana.



Some of the battles that Eli and Benjamin participated in were:

Munfordville, Kentucky... September 14-16, 1862

Lavergne, Tennessee... December 26, 1862

Siege of Knoxville... November 17 to December 4, 1863

Kingston, Georgia... May 24, 1864

Siege of Atlanta... July 28 to September 2, 1864

Franklin, Tennessee... November 20, 1864

Nashville, Tennessee... December 15-16, 1864

Eli was wounded at the Battle of Nashville, but not seriously. He was transferred to the Eastern Army at Fort Fisher and then to Cleveland where he was discharged in July 1865. In the spring of 1866, Eli and Benjamin moved to Elkhart County, Indiana and made their homes in Locke Township. In the fall of 1866 they both got married. Eli on the 22nd of September to Lovina Berlin and Ben married Eliza Coppes on the 25th of December. Lovina's family had lived in Portage County, Ohio and moved to Elkhart County in 1864 so it is likely that Eli and Lovina knew each other prior to coming to Elkhart County. Purely conjecture on my part, but it's possible that the reason Eli came to Elkhart County after the war was because Lovina was there! Maybe, maybe not.



I'm very fortunate to have a photograph of Eli, which was sent to me in May .. by Kathy Foster who is distantly related to William Walker, the husband of Eli's sister Susanna. I wrote about that “Happy Dance” moment in February ...





Eli's life came to a tragic end at about noon on Monday January 28, 1895 as he was assisting a neighbor in cutting down a tree. It fell in the opposite direction than was expected, striking him in the head. Death was instantaneous.





Eli is buried alongside his wife Lovina and two young daughters in South Union Cemetery, Locke Township, Elkhart County, Indiana. Note that his inscription has the year 1894. His obituary was published in the Nappanee News on January 30, 1895 and his estate entered probate on March 1, 1895. This photo was taken on July 12, ... I've visited the site several times since then, the last time being in the spring of ...



The inscription on the gravemarker reads:YarianLovina 1845 – 1932Eli 1839 – 1894

The inscription on the footstone reads:ELI YARIANCO. D.1ST OHIO L.A.

Eli and Lovina were the parents of seven children:

1. Estella E. Yarian (29 Oct 1867 – 07 Feb 1935) married Theodore B. Irvine and had two children: Harry and Frederick.


2. Willis Oscar Yarian (18 May 1870 – 07 Dec 1948) married Grace Melvin and had two children, Harold and Grace Maxine.


3. Susie Lula Yarian (05 Jan 1872 – 29 Apr 1956) married Henry Phend and had 10 children. See Phend Family Index to Posts. Susie and Henry are my great-grandparents.


4. Edith M. Yarian (19 Feb 1875 - 01 Mar 1875)


5. Lydia Blanche Yarian (17 Sep 1878 – 03 Jul 1889)


6. Mary Winifred Yarian (26 Dec 1881 – 22 Mar 1945) married Earl Glen Rosbrugh, had three children: Pauline, Mildred and Glenwood.


7. James Arthur Yarian (31 May 1884 – 12 Feb 1930)